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Judas betrays Jesus with a kiss. 14th Century Fresco in the Collegiata of San Gimignano, Italy.

The beautiful fresco painted by Giotto depicting Saint Francis talking to birds inside the Basilica Superiore di San Francesco (Upper Basilica of Saint Francis), in the medieval heart of Assisi, in Umbria. Giotto painted a series of great frescoes along the walls of the single nave of the Basilica between 1292 and 1305, depicting the Stories of St. Francis, from his vocation to his death. Built in the Italian Gothic style starting from 1228 and completed in 1253, the Basilica preserves the mortal remains of the Saint of the Poor since 1230. The construction of the Basilica consists of a Lower Basilica and an Upper Basilica, perfectly integrated. Over the centuries Assisi and the spirituality of its sacred places have become a symbol of peace, a point of reference for tolerance and solidarity between peoples and between the different confessions of the world. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Since 2000 the Basilica and other Franciscan sites of Assisi have been declared a World Heritage Site by UNESCO. Image in high definition format.

$Fresco Giotto \$

$Como - The old fresco of Entry of Jesus to Jerusalem (Palm Sundy) in church Basilica di San Abbondio by unknown artist \$

Religious art in Sacro Monte di Varallo, Italy: Chapel's interiors

A close up view of a section of one of the tapestries at the MET Cloisters in New York City.

Bulgaria - Rila Monastery ( Rilski Manastir). The Monastery of Saint John of Rila, also known as Rila Monastery is the largest and most famous Eastern Orthodox monastery in Bulgaria. It is situated in the southwestern Rila Mountains, 117 km south of the capital Sofia in the deep valley of the Rilska River. It is a site UNESCO

Greek Orthodox Fresco in the Church of the Holy Sepulchre in Jerusalem, depicting Jesus about to be struck in front of former High Priest Annas, as in John 18:22

$Apollo, with his bow and quiver sits behind a wall or trellis with a muse at the moment when Admetos and Alkestis receiving the oracle\nFresco from House of the Tragic Poet ( Pompeii )\n\nAlcestis and Admetus of Pherae\nAlcestis, in order to comply with the prophecy of Apollo, agrees to sacrifice herself in place of her bridegroom, king Admetus.\nPompeii, House of the Tragic Poet, VI 8, 5, tablinum.\n45-79 AD.\n\nAlcestis was the fairest among the daughters of Pelias, king of Iolcus, and either Anaxibia or Phylomache. She was sister to Acastus, Pisidice, Pelopia and Hippothoe. Alcestis was the wife of Admetus by whom she bore a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele.\nIn Greek mythology, Admetus was a king of Pherae in Thessaly.$

Religious painting from the Middle Ages depicting the last supper of Jesus Christ in the cathedral of Sainte Cecile in Albi, France

Inside the church of Santa Maria della Scala, Siena, Tuscany, Italy

Prague - The fresco of Twelve old Jesus in the Temple in church kostel Svatého Cyrila Metodeje by Petr Maixner (1872).

Basilica di Santa Caterina d'Alessandria, Southern Italy, Galatina, Apulia: Interiors fresco details

$Fresco Giotto \$

$The Saint Nicholas Church in Bichl near Matrei (Tyrol, Austria), which has beautiful medieval frescoes. The church has a rare\ndouble choir. The frescoes in the choir tower\nare a monument to alpine-Italian culture before the onset of the Gothic\nperiod.$

Renaissance Fresco depicting Jesus Christ, as a boy among the Doctors in the Temple of Jerusalem, in the Collegiata of San Gimignano, Italy.

$Pompeii fresco painting of Saturn Sun and Moon\nInsula Occidentalis - 45-79 AD$

Fresco representing the Last Supper inside the church of Santa Maria delle Grazie in Anghiari, Tuscany, Italy

Frescoes in the Church of San Miniato al Monte in Florence

France. Haute-Savoie. Megève. St. John the Baptist Church. October, 1, 2019. This color image despict a mural of the Italian, Mucengo, under the vaults dating from 1828: The Marriage of Cana with the Virgin Mary and Jesus Christ. Around 1853, Benedictine monks arrived in the territory of Megève to raise a priory dedicated to St. John the Baptist. The church is enlarged in the 14th century.

Professional restorer restoring antique chapel fresco in Italy

Valencia - The painting of Prayer of Jesus in Gethsemane garden on the side altar in the Cathedral by Vicente Macip from end of 15. cent.

The mosaic on the central tympanum (above the main gate) of the 19th-century Duomo was crafted in Venice in 1886 based on designs by Nicolò Barabino. It shows Christ seated on a throne, flanked by the Virgin Mary and St John the Baptist. It also includes local saints, notably St Reparata and St Zenobius, who serve as patrons of Florence. The lilies in the foreground symbolize Florence while the blue orb in Christ's left hand symbolises the world or the universe.

$The Tribute Money, famous fresco by Masaccio in the Brancacci Chapel, the \$

Italy - Celano, Abruzzo: fresco in a window of the Church of San Giovanni (Saint John) built in the 14th century in the town of Celano, in Abruzzo. The frescoes were painted in the 15th century. The Church is open and can be visited at all times.

Bari, Apulia, Italy - 15 january 2023: Interior of the basilica - The Stories of Saint Nicholas by Ambrogio Lorenzetti - The basilica of San Nicola, in the heart of the old city of Bari, is an important place of worship of the Catholic Church, one of the main places of ecumenism with the Orthodox Churches. It is one of the most significant examples of Apulian Romanesque architecture.

Byzantine fresco painting of Jesus Christ with gold leaf halo and shining stars

Florence, Italy - September 25 2014: Adoration of the Magi (1481-82) by Leonardo da Vinci, oil on panel 246 × 243 cm, in the workshops of the Opificio delle Pietre Dure, during the restoration.

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