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Valencia - The renaissance painting of St. Michael archangel and St. Barbara in the Cathedral by Juan de Juanes from 16. cent..
The Sack of Baltimore took place in 1631, when the village of Baltimore, West Cork, Ireland, was attacked by Ottoman Empire slavers from the Barbary Coast of North Africa – Dutchmen, Algerians and Ottoman Turks. From an 1886 antique book \
Beautiful painting of a young man and woman of the Palatine Chapel or Cappella Palatina in the old town of Palermo, Sicily, Italy
Fresco from Pompei, Casa di Venus, 1st century AD. Dug out in 1960. It is supposed that this fresco could be the Roman copy of famous portrait of Campaspe, mistress of Alexander the Great\nThe Venus Anadyomene ( Venus rising from the sea ) is considered one of Apelles’s masterpieces. Although the original is lost, we can imagine it somewhat similar to the Roman Venus o. Venus or Aphrodite (the Greek equivalent) was the Goddess of beauty and love. Her birth took place near Cyprus when she rose out of the calm sea. This moment was that Apelles chose to depict. It is said that for this painting he used Campaspe or Phryne as his model. The latter was another courtesan famous for her beauty. According to Athenaeus, Apelles was inspired to draw Venus’s birth when he saw Phryne swimming naked. The painting eventually ended up in the temple of Caesar in Rome, where, according to Pliny, it sustained minor damaged. Eventually Nero had it removed and replaced with another painting. After the success of the first Venus, Apelles decided to create an even better one. Unfortunately, he passed away before finishing it.
Cupid and Psyche. An ancient stone statue on black background. Copy space.
Vasari Fresco done in the 1500s. Brunelleschi Cupola, Florence Duomo. Tuscany, Italy.
16th century fresco depicting a musician angel, Valencia Cathedral, Spain
Religious art in Sacro Monte di Varallo, Italy: Adam and Eve
The Chinese Goddess of Mercy delivering a soul from purgatory with a lotus flower. The goddess is called Guanyin, Quan Yin, or Kuan Yin.
Naples - The renaissance painting of Madonna with St. Sebastian and Mary Magdalen in the church Certosa di San Martino by Agostino Tesauro (1510).
No kisses with golden face mask. Modern remake of classical artwork with coronavirus theme - young medieval couple on dark background, golden colored. Concept of coronavirus, pandemic, creativity.
Pompeii, House of the Vettii, Casa dei Vettii, VI, 15,1), wall painting of the oecus (room q) at the peristyle. Detail of wall painting showing small angels doing goldsmith work, on the right an angel weighs a piece of jewellery on hand held scales.\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
Renaissance Fresco (1365) by Bartolo di Fredi depicting the Creation of Eve in the Collegiata or Collegiate Church of San Gimignano, Italy.
Ancient archangel painting in the Saint Michele church in Savoca Italy
Sophia; or, The Modern Prometheus. Pencil drawing. White background.
Religious art and architectural details in Sacro Monte di Varallo, Italy
The hell, painted by Giotto di Bondone in Scrovegni Chapel of Padua, Italy. The Scrovegni Chapel is a small church in Padua, region of Veneto, Italy. The chapel contains a fresco cycle by Giotto, completed about 1305 and considered to be an important masterpiece of Western art.
Statues in Firenze, Piazza della Signoria
Perugia - The painting of Madonna with the St. Mary Magdalen and St. Sebastian in the church Basilica di San Pietro by Umbrian school from 16. cent.
Psyches gather flowers ( Faniciulle Fioraie - Little flower girls )\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
florence, italy, october 26, 2015 : interiors and architectural details of Santa Croce basilica, october 26, 2015 in Florence, Italy
Vasari Fresco done in the 1500s. Brunelleschi Cupola, Florence Duomo. Tuscany, Italy.
Florence, Interior view of Cathedral dome painting in Florence, Italy. The Brunelleschi's dome was painted 1579 by Giorgio Vasari and Federico Zuccari.
Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo
A closeup of a religious painting on the wall
Piazza della Signoria, sunrise
Assisi - The fresco Expulsion of Adam and Eve from Paradise in church Chiesa Nuova (San Francesco Convertito) by Giacomo Giorgetti from half of 17. cent.
Python, in Greek mythology, a huge serpent that was killed by the god Apollo at Delphi either because it would not let him found his oracle, being accustomed itself to giving oracles, or because it had persecuted Apollo's mother, Leto, during her pregnancy.\n\nThe fresco shows the Omphalos stone covered with a net and the Python wrapped around it. A priestess stands at left with a sacrificial bull.\n\nA detail from a sacrificial scene shows a bull being brought to the omphalos - Made up of a stone and a snake it represents the navel of the world - Apollo plays the zither.\n\nThe ancient Greeks also used omphalos to refer to a sacred, rounded stone in the Temple of Apollo at Delphi that was supposed to mark the center of the earth.
Fresco painted by Giotto in Scrovegni chapel of Padua, Italy.
Fresco in the Cathedral of Sansepolcro
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