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Fresco in St. Charles's Church in Vienna

$Ancient Roman fresco ( 45-79 d.C. ) from the Augusteum-Basilica, Herculaneum.\nAlcestis and Admetus. The oracle predicts the death of Admetus.\nAlcestis, in Greek legend, the beautiful daughter of Pelias, king of Iolcos. She is the heroine of the eponymous play by the dramatist Euripides ( c. 484–406 bce ). According to legend, the god Apollo helped Admetus, son of the king of Pherae, to harness a lion and a boar to a chariot in order to win Alcestis's hand.$

Naples - The detail of Archangel Michael from painting of Fall of the Rebel Angels in the church Chiesa dell' Ascensione a Chiaia by Luca Giordano (1657).

An ancient statue of a young man from ancient Greece presumed to be a philosopher or poet, severe and sad. Small reproduction of original

Gatchina, Russia - 16 July 2010: Fragment of the ceiling painting of the 18th century in the royal pavilion in the Gatchina Park. Plafond Triumph of Venus, was written in 1797 by artist I. Mettenleiter.

$Punishment of Ixion, House of the Vettii, Pompeii.\nThis mythological scene is located on the east wall of the north triclinium, which is located next to the large peristyle. It shows the moment of Ixion, the Lapith King, being punished for betraying Zeus. After being welcomed into Olympus by the god, Ixion grew to lust after Zeus's wife, Hera. After Ixion attempts to seduce her, Zeus creates the cloud goddess Nephele in the image of Hera. Ixion lies with Nephele and their union creates the centaurs. As punishment, Zeus banishes Ixion from Olympus and orders Hermes to tie Ixion to a winged fiery wheel, which is to spin for eternity.$

sculpture of the head of Apollo in the workshop

Religious art and architectural details in Sacro Monte di Varallo, Italy

$Warsaw, Masovian Voivodeship, Poland - July 20, 2023 Statue of Apollo in antique style in the museum. Statue in the \$

Vasari Fresco done in the 1500s. Brunelleschi Cupola, Florence Duomo. Tuscany, Italy.

the beautiful oil painting of Judith and Holofernes - Holofernes speaks in Judith's ear

$Python, in Greek mythology, a huge serpent that was killed by the god Apollo at Delphi either because it would not let him found his oracle, being accustomed itself to giving oracles, or because it had persecuted Apollo's mother, Leto, during her pregnancy.\n\nThe fresco shows the Omphalos stone covered with a net and the Python wrapped around it. A priestess stands at left with a sacrificial bull.\n\nA detail from a sacrificial scene shows a bull being brought to the omphalos - Made up of a stone and a snake it represents the navel of the world - Apollo plays the zither.\n\nThe ancient Greeks also used omphalos to refer to a sacred, rounded stone in the Temple of Apollo at Delphi that was supposed to mark the center of the earth.$

Parma - The fresco The Circumcision of Jesus in Duomo by Lattanzio Gambara (1567 - 1573).

$House of Venus in the Shell\nA fresco Venus in the shell in ruins of Ancient Roman city Pompeii, Campania region, Italy. City destroyed by eruption of Mount Vesuvius. Wall fresco in House of Venus depicts goddess and two Cupids.$

Fagnano Olona, Italy - May 6, 2023: Fagnano Olona, Varese province, Lombardy, Italy: exterior of the historic Madonna della Selva church

Venezia, Italy - September 26, 2010: Fresco by Giambattista Tiepolo for Ludovico Rezzonico and Faustina Savorgnan's marriage, on the ceiling of Cà Rezzonico, now Museo del Settecento.

Palermo, Italy - October 17, 2022: Detail of a fresco of the Pompeiana hall in the apartments of the Norman Palace also known as the Royal Palace

$Ares and Aphrodite - Pompeii, House of the Wedding of Hercules (or House of Mars and Venus).\nMars lifts the blue mantle of Venus, to admire her nakedness characterized only by a gold chain arranged in an X on her chest. Characteristic is the representation of the two sexes which provides a dark complexion for the man and a light and delicate complexion for the woman. Two cupids play with the weapons of Mars. The shield and helmet send back reflections of light.$

Parma - The symbolic fresco of angels with the music instruments in church Chiesa di Santa Cristina by Filippo Maria Galletti (1636-1714).

Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo

Beautiful painting of a young man and woman of the Palatine Chapel or Cappella Palatina in the old town of Palermo, Sicily, Italy

Plaster head model (mass produced replica of Head of an Amazon) with attached leaves

The main features of classicism: restraint, aristocracy. The color 3d background for the walls is light green and noble. 3d effect of quilted leather and columns. Francois Boucher, 1742 Venus disarming Cupid.

Part of Roman mosaic in the House of Aion in Nea Paphos, Cyprus

The central portion of the ceiling of the salle des Pas-Perdus in the palais Bourbon, by Horace Vernet, entitled “Peace Enthroned Before Paris”.

$Fresco from Pompei, Casa di Venus, 1st century AD. Dug out in 1960. It is supposed that this fresco could be the Roman copy of famous portrait of Campaspe, mistress of Alexander the Great\nThe Venus Anadyomene ( Venus rising from the sea ) is considered one of Apelles’s masterpieces. Although the original is lost, we can imagine it somewhat similar to the Roman Venus o. Venus or Aphrodite (the Greek equivalent) was the Goddess of beauty and love. Her birth took place near Cyprus when she rose out of the calm sea. This moment was that Apelles chose to depict. It is said that for this painting he used Campaspe or Phryne as his model. The latter was another courtesan famous for her beauty. According to Athenaeus, Apelles was inspired to draw Venus’s birth when he saw Phryne swimming naked. The painting eventually ended up in the temple of Caesar in Rome, where, according to Pliny, it sustained minor damaged. Eventually Nero had it removed and replaced with another painting. After the success of the first Venus, Apelles decided to create an even better one. Unfortunately, he passed away before finishing it.$

Genova - The fresco of Last Judgment in the church Chiesa del Gesu by Giovanni Battista and his brother Giovanni Carlone from 17. cent.

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